Miguel Ángel Sáez’ drawings -those of the most figurative collections, those of his most abstracted artworks or those merely alluding to the visible reality- unveils our painter has never kept a mimetic attitude or neither has engaged to be objective about the outside world’s shapes. In other words, Sáez has always exhibited in his pieces of art that «something more» other than what figures or the models there represented express for themselves. It is exactly the capture of that «something more» where his originality, interests and transcendence lies in; his ability to turn the particular into the universal-.